On Jessica Jones Seasons 1 and 2 (Spoilers)


The intro is super sexy. Now Streaming on Netflix!


Hey everyone.

I jumped on here to discuss Season 2 of JJ, and realized I never wrote about S1. I finished the first season directly before watching the second, but the time between the the first ten episodes and the last three might be around two years. So S1 will be short and to the point.

Besides Heath Ledger’s Joker performance, David Tennant’s Kilgrave was easily the most unsettling and complex character I have ever seen. He commanded the story, and sold me in his manipulation. Everyone, especially JJ, had every right to be terrified, and this elevated JJ’s performance in a way that I fell in love with. It was so unsettling I couldn’t watch the rest of it for two years. Season 1 was beautiful in its gritty trauma, in its cast, in everything. It was so, so good. At least the last three episodes.

In my defense, this post really wasn’t going to be about S1; it’s about how S2 wrote itself into corners, and how it shifted the characters’ actions and personalities to fit plot, instead of the other way around. Continue reading

Two thoughts on Poetry

I like poetry. For me it is the art of putting broken words together, fixed. Kintsugi for the jumbled thoughts that exist without rule or border, where people try, fight, celebrate, and debase themselves to make sense. I don’t like a lot of poetry, despite my Twitter account constantly liking things I read. I moreso like the act of trying to create; I read words sometimes, and see the process the writer went through to make it just so. Poetry is an extreme example, and not a monolithic “one example,” as it is myriad.

Most poets I read try and put a puzzle together, where the process is clear they see the work as a puzzle: how do I make this impactful? Drawing up all the possibilities, all the -sauri meowling around in their heads like living creatures, conjuring words that yes, yes fit. In seeing the work as a puzzle, as a here fits there fits this word isn’t working, the writer is removed of a certain pace, or rhythm, or movement. A professor’s words come to mind when I write this: “Never use the word ‘Flow’ when critiquing another’s work! There’s no such thing as flow!” I laughed so hard.

Continue reading

A Capsule Update

I’ve been sick for a while. I’m talking about this to everyone and anyone who will listen. Ask my gf. Ask my brother. Ask last semester’s classmates. It’s a sickness that effects my brain. Where I have good days of minimal pain, and bad days of near complete forgetfulness, where I’m fighting to focus and get anything done. And those days where I have near complete forgetfulness are the ones where I’m congested, with a little cold, and my whole head seems to shut down. Just a simple, stupid cold makes me nearly incapable of basic function.

I had a great introduction laid out for my book, where I’d talk about real life complications while writing it; how, in the book, the story starts with a broken tooth and ends with a wooden one. Just like in real life, where my book began with a tooth operation (the reason for my initial tooth writing in the first chapter), and ends with the removal of the tooth and a long line of suffering. It would have been a great full-circle thing, a great anecdote to the complexities of how real life spatters into fantasy and science fiction. If my sickness had ended with the removal of that tooth, it would’ve been perfect.

It didn’t end. In fact, removing the tooth sent a whole new wave of bacteria into my system, punching forgetfulness and memory issues back to full throttle–something I had on lockdown since the beginning of November. Strange how you think you have a handle on something, in fact are nearly certain the issue is understood and workable, and then–nope. It isn’t the tooth anymore. It’s the bone, or the sinus cavity, or an abscess that isn’t draining. Or something even deeper: autoimmune, immunodeficiency, viral meningitis.

Yesterday was a nightmare. I woke up at 11:00 after having watched too much television the night before, took my diabetes medication, drank kefir and had a green drink for breakfast, checked my blood sugar: 195. Strange, given I had a salad for dinner the night before, hummus and broccoli and carrots for lunch, and a donut and coffee for breakfast. This meant I was fighting an infection. Again. Maybe the same infection.

Classes have started; day one was Tuesday, and I blankly stared at the syllabus on Wednesday, trying to understand what was expected of me for the semester. Hell, trying to understand the assignment for homework, due Thursday (today). I tried to read a short story, finished, realized I remembered nothing about it except it was by Octavia Butler (because I had been given that information when I was in a more receptive state), and that it was uploaded in an easy-to-convert-to-sound format and sometimes the fonts were shifted, the spaces between words longer than one. And the rims of my vision sometimes pulsed with my heartbeat because pus is putting pressure on your brain, on your eyes, the doctor said. Sometimes I can not see much at all, sometimes pictures move when in periphery, or seem to, because of the shifting sphere shape of my eyes. Straight up terrifying. What do I do? The low-grade migraine that flowed from the back to the front of my head, coupled by the pain in my jaw that I thought was an infected tooth now radiating from an empty socket, sending me into agony while trying to stare at a computer screen.

I readied a dose of $4,000/mo potassium powder, drank maybe .50 of product, felt better. Wanted to write. Wanted to do homework. Needed to get work done. I don’t have time for this, I thought, fell into the couch and watched some escapist scifi on Amazon Prime. Tried to have conversations with my brother online, slurred words coming from someone sober for months, my own damn mouth, wondering again what the hell is wrong with me, again, expunging that wonder in words to silence from the other side. Realizing, again, six doctors, two EarNoseThroat specialists said this is likely stress-related, and then some small-town allergist decided to give my face an x-ray to maybe see if something was going on up there. Yes, something is going on up there.

They’re calling it chronic sinusitis, or sinusitis that continues after four weeks. It’s been in my head for nearly a year now, perhaps two. My nasal cavity is clear as a whistle, always, but when I get congestion I fall to pieces. Sometimes something drains and my eyes roll in the back of my head from the sensation, like springing a leak where water shouldn’t go. Nurses tell stories of sepsis, people dying from sinusitis of late without really knowing why, “feeling” good one day, dead the next. I have a tremor in my neck, my hands that won’t go away. My ears sing like crickets some days, or cicadas the next, or a tintinning ocean tide. This is an orchestra of sick, perhaps of death, a death bloom of infection that grows and grows. I begin my third bout of antibiotics tomorrow.

Yet, this is another journey for my book to explain. Another parallel degradation of myself, burned into my main character as he trods toward the climax. This is a climax that may never happen, where my journey disrupts the flow of words by ending before the book does. Last semester I worried I won’t finish my finals if I can’t get this under control. This semester I worry I won’t see July.

What is July but a marker of time? I joked to a friend that I lived longer than Jesus, that this was my Jesus year of 33, and at least I have that accomplishment. Perhaps only just. Perhaps not. And what are accomplishments but markers of time spent?

And even this, this post, this discussion, is my strange way of pushing forward. I only realize that now, subconsciously everything planned out before I realize: one class requires short stories, and last night I worried I’d have nothing to write. Nothing at all. And I worried I’d sit for days in front of a computer screen and write nothing, all stopped up like a wine cork pushed too far in the bottleneck. This is not nothing. It’s about nothing. The fear of nothing. The fear of whole, abstract existence. The fear of not finishing. But why? But why is a good question.

Despite all the strangeness of this sickness, my conscious self and subconscious self are so in tandem I find joy in the simple understanding that still, I create.

The Avenging Angel Motif in Writing


Yeah. Totally new topic. This hasn’t been discussed for, like, six thousand years already.

Revenge is a dish best served cold.
Before you embark on a journey of revenge, dig two graves.
Revenge is sweet.
Living well is the best revenge.

None of these are always the case. And none of these directly deal with what I’m writing about.

There is a difference between Revenge and Avenge.

Avenge is a word broadly concerned with inflicting a punishment or penalty in the pursuit of justice.

Revenge is a word broadly concerned with inflicting harm or punishment for personal retaliation.

There is an overlap, but one is not always the other, and the other is not always one. Avenge is usually the elevated purpose–placing importance on an ideal or perspective–which is why “Angel” is attached to it for my blog purpose, while Revenge is considered far more animalistic–placing importance on the self, and selfish goals–and therefore considered base and self-destructive. Identifying this difference is very important. For example, Akira was vengeful. Not avenging. And he burned himself out.

I’m sure there’s a revenging demon motif. Not sure about other overlaps; revenging angel? Avenging demon? Who knows. I don’t know why I’m using so much Christian vocabulary.

We’re all in love with superheroes. The X-Men and Wonder Woman. Watchmen and Batman and Nicholas Cage in The Rock and Pacific Rim. They wake a little secret part of ourselves that have been around for a long time, perhaps part of a shared childhood ideal of swooping in and handling a situation with your own two hands.

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Funk: a Memoir on my Progress

I told myself August was the month where I finished the rough draft of this beautiful, haunting, busted-up novel of mine. And here I am, ten days in, with nary 1k words written on it since the first. With roughly 1/3 of the book remaining, I’m worried.

Internet stresses aside, and real life stresses aside (can you really put that aside? I say no. If this is a career, if this is a lifestyle, if this is my job. No.), I’m in a funk that I have brought on myself. Continue reading

#amwriting Do You Even Worldbuild, Bro?

My style of book prep seems like an ever-changing thing. While everyone has their own ideas and ways to make writing a book manageable, there are a lot of differences between genres, and people writing within those genres. I’m excited to talk about what I’ve been doing to write my latest few projects, and how this differs from my earlier, young’un projects that were barely a departure from fanfic.

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Movie Review: King Arthur and the… Something Something Evil Ghost Rider Skeletor Barbarian

It’s been out for a bit. Guy Ritchie’s foray into fantasy was a spectacle to behold, being full of amazing and awesome and… Pacing issues. And CGI. On Rotten Tomatoes, critic score of 28%; viewer score of 78%. Quite a discrepancy between those numbers. I’ll chuck it up to the growing rift between gatekeeping “experts” and the overwhelming input of Average Joe voter: the masses currently mean more than the “critics” to me, especially when it comes to historically important lit.

First off. I’m a King Arthur purist. In BOOK form. And if anyone knows the legends, the tellings are multiple, complex, and likely not nearly as historical as one would think. You know. Because Merlin was a mage. If you aren’t able to step around the idea of a fantastical retelling of anything historical, when you walk into a theater, you have no place being in a theater. IMHO.

Spoilers ahead. I have a bit to say. Continue reading

A List of Words I Can’t Use in my Writing Class

Minority” as defined “I was among the minority” (as a white man in a class of non-white women)
Soul” as defined “it has soul,” i.e. It has character, depth, spirit. I am the wrong skin color to use this word.
Native American (even though we are referring to tribes that identify themselves as such)
Indian (even though we were referring to one of Indiana’s Native cultures that explicitly identifies as such), but can use Native Indian
Generalized as defined “I feel generalized” – because I can’t.
Marginalized as defined “I feel marginalized” – because I can’t.

I feel trapped and oddly policed. lol As if I’m being shoved into a blanket statement narration of who I am and what I’ve been through in my life. Continue reading

Cultural Appropriation: When the Chicken Doesn’t Hatch from the Egg

I recently wrote a short story for a creative writing class that had a heavy emphasis on feminism, equality, and the removal of appropriative stereotypes (not the story; the class). Throughout this class, I’ve felt more and more dour about my place in it: every day we meet, I am told how I have flouted my power to oppress and dehumanize everyone not me. I am aware of this. I work hard to remove the bias in my life. I work hard to use my privilege for good, if possible. I watch preference given to others who have had to work twice as hard as me to get where they are, and I respect the preference. I don’t know how to write about what I want to write anymore because of all the boundaries and expectations. This gives me a whole new twist on “write what you know.”

But this short story has me confused and bewildered. A long while back, I wrote a story about the most fierce and independent women I had ever met: my ex wife. She was a warrior, a fighter, broken and not, flawed and abusive and everything complex about a person you could possibly want. And exotic. And powerful. Given this class is about the empowering of women, and minorities, and those traditionally without voice, and she’s as untraditional a person I had ever met, I revived it, revised it, reviewed it, revised it again, and handed it in.

If I had problems with the insane amount of, “you can’t write effectively about this because you’re white,” and, “you can’t write about this because you’re male,” restrictions–and then being told I must write it in a social justice vein, where I’m expected to write about an issue I have no business writing about–surely I found a way around it by telling a fairy tale story based strongly on a real life, honest-to-god person.

Not so much. Continue reading